Queen II - Wikipedia. Queen II is the second studio album by the British rock band Queen, released on 8 March 1. EMI Records at midnight in the UK and by Elektra Records in the US. It was recorded at Trident Studios and Langham 1 Studios, London from February to August 1. Roy Thomas Baker and Robin Cable, and engineered by Mike Stone. The album is notable for its combination of a heavy rock sound with an art rock sensibility.[4] It has been called "a pillar of grandiose, assaultive hard rock" by the Rock and Roll Hall of Fame.[3]Queen II is not a concept album but a collection of songs with a loose theme running throughout.[5] The two sides of the original LP were labelled "Side White" and "Side Black" (instead of the conventional sides "A" and "B"), with corresponding photos of the band dressed in white or in black on either side of the record's label face.

The white side has songs with a more emotional theme and the black side is almost entirely about fantasy, often with quite dark themes. Mick Rock's album cover photograph was frequently re- used by the band throughout its career, including the music videos for the songs "Bohemian Rhapsody" (1. One Vision" (1. 98.

Released to an initially mixed critical reception, Queen II remains one of the band's lesser- known albums. Nonetheless, the album has retained a cult following since its release, has garnered praise from other musicians such as Axl Rose, Steve Vai and Billy Corgan, and is significant in being the first album to contain elements of the band's signature sound of multi- layered overdubs, vocal harmonies, and varied musical styles.[4][6]Background and recording[edit]Led Zeppelin and The Who are probably in Queen II somewhere, because they were among our favourite groups, but what we are trying to do differently from either of those groups [is] this sort of layered sound. The Who had the open chord guitar sound.. I also wanted to build up textures behind the main melody lines.

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We were trying to push studio techniques to a new limit for rock groups – it was fulfilling all our dreams, because we didn't have much opportunity for that on the first album. —Brian May, on Queen II and the band's sound.[7]After their self- titled debut album Queen was recorded and mixed by the end of November 1. Queen set about touring and promoting it.

Management problems forced the album to be released on the independent Trident label, but only after eight months had gone by since completion. The Spiderwick Chronicles Full Movie Part 1 there. During that time, Queen were writing new material and eager to record it.

Several new songs were written immediately after the first album, and some dated from even earlier. See What a Fool I've Been" was left over from the Smile days. Ogre Battle" was written during the debut album sessions, as was "Father To Son", but the band decided to wait on recording them until they had more freedom in the studio.

August 1. 97. 3 found the band back in Trident Studios, now allowed to book proper hours there, with an album under their belts. For what is generally considered a complex album (with layered vocals, harmonies and instruments), it took a very short time — only one month — to record Queen II. A full version of "Seven Seas of Rhye" was laid down, recorded with the specific intention of being the album's leading single. After the commercial failure of "Keep Yourself Alive", which was taken from the first album, Queen decided it needed a single that did not take "too long to happen" (without a lengthy guitar intro). So, Queen and Baker made sure that "Rhye" began in a way which would grab people.

Mythology and art were passions of Mercury's, and Richard Dadd's painting The Fairy Feller's Master- Stroke (which currently hangs in the Tate Gallery) sparked his creativity. This scene from Dadd's imagination was inspired by characters from fairy myths, which in the painting are gathered around the Feller of Trees to watch him crack a walnut for Queen Mab's new carriage. Rock photographer Mick Rock was employed to do the photography for the album's artwork.[8] This single picture of Queen, used on the Queen II album cover, would become one of the band's most iconic images, revisited and brought to life for the "Bohemian Rhapsody" promotional film.[8] Robin Cable, with whom Mercury had worked during the "I Can Hear Music" session, was recruited to reproduce the Spector production sound for "Funny How Love Is". The "White" side is very diverse: four of the five numbers were composed by Brian May, where one is instrumental, one is sung by Freddie Mercury and Roger Taylor (with May at the piano), the next is sung by Mercury, and the last by May. The closing track of The "White" Side is Taylor's only composition in the album, which he also sings. John Deacon played acoustic guitar on "Father to Son" in addition to normal duties on bass guitar.

Lead singer Freddie Mercury composed the entire "Black" side, contributing piano and harpsichord pieces and a wide range of distinctive vocal performances. Composition[edit]"Procession"[edit]"Procession" is a short instrumental piece (a funeral march) performed by Brian May on multi- tracked guitar.

He recorded it by playing overlapping parts on the Red Special through John Deacon's custom- made amplifier (the Deacy Amp). Roger Taylor also contributes to this instrumental, using only a bass drum pedal."Father to Son"[edit]"Father to Son" was written by May and features heavy metal sections as well as a quiet piano part, which May played. Like the preceding number, "Father to Son" has parts with May on multi- tracked guitar, played through the Deacy Amp. It is written in the father's perspective when talking or thinking about his son. Queen added "Father to Son" to their live setlists immediately and toured extensively, but the song was dropped from the setlists in 1.

The song covers a two- octave range: Freddie Mercury (G3- A4), Taylor (G4- A5)."White Queen (As It Began)"[edit]Written by May in 1. May explained that he conceived the idea for this song while reading The White Goddess by Robert Graves. The song also had personal significance for May; he drew inspiration from a fellow student whom he revered and thought represented the idea of the "perfect woman".[5] In a later interview he said, "I remember being totally in love with this girl from biology, and I never ever talked to her.. I [was] dared to ask out this girl, and she became a lifelong friend, it's very strange..".[9]"White Queen" was performed regularly between 1.

London in 1. 97. 8. The song was also performed at the BBC in April 1. It has a similar feel to the live version of the song because of the piano being omitted from the album version. The song features May playing his Hairfred acoustic guitar.

The guitar had been given a replacement hardwood bridge, chiselled flat, with a small piece of fret wire placed between it and the strings, which lay gently above. The strings produce the buzzing effect of a sitar.[1. Some Day One Day"[edit]This is the first song sung entirely by May on lead vocals. It features May on acoustic guitar and electric guitar and the last guitar solo (during the fade- out) features three solo guitars. This kind of complex guitar arrangement is typical of May; however, usually the guitars are harmonious, but in this case, all of the guitars play different parts."The Loser in the End"[edit]"The Loser in the End" was Roger Taylor's sole contribution on the album both as a songwriter and lead vocalist. The original handwritten lyrics of the song were almost lost in 2.

Queen archive."Ogre Battle"[edit]Freddie Mercury wrote "Ogre Battle" on guitar (as confirmed by May in several interviews)[1. Queen setlist despite not being recorded until the Queen II sessions. The band did not want to record it for their first album, but rather waited until they could have more studio freedom to do it properly.

The ogre- like screams in the middle are Mercury's, and the high harmonies at the end of the chorus hook are sung by Taylor.