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After Dark (TV series) - Wikipedia. After Dark. Created by. Open Media. No. of episodes. Production. Running time. Open- ended. Release. Original network. Channel 4 and BBCOriginal release.

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May 1. 98. 7 (1. 98. March 2. 00. 3 (2. After Dark was a British late- night live discussion programme broadcast on Channel 4 television between 1.

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BBC in 2. 00. 3. Roly Keating of the BBC described it as "one of the great television talk formats of all time"[1] and the Daily Mail as "the most intelligent, thought- provoking and interesting programme ever to have been on television".[2] In 2. Broadcast wrote "After Dark defined the first 1. Channel 4, just as Big Brother did for the second".[3]Broadcast live and with no scheduled end time, the series, inspired by an Austrian programme called Club 2,[4] was considered to be a groundbreaking reinvention of the discussion programme format. The programme was hosted by a variety of presenters, and each episode had around half a dozen guests, often including a member of the public. Guests would be selected to provoke lively discussion, and memorable conversations included footballer Garth Crooks disputing the future of the game with politician Sir Rhodes Boyson, MP Teresa Gorman walking out of a discussion about unemployment with Billy Bragg, and Oliver Reed drunkenly kissing Kate Millett during a programme that asked "Do Men Have To Be Violent?".[5]The show ended in 1. BBC revival followed, before the programme finally came to an end in 2.

In 2. 00. 4 After Dark was characterised as "legendary" by the Open University[6] and in 2. British television".[7] In 2. The Herald wrote that "Unlike reality television live feeds today, After Dark was essential viewing, with some very serious talk enlivened even more by unexpected events."[8]Start on Channel 4[edit]Sir Jeremy Isaacs, the founding Chief Executive of Channel 4, wrote an account of the network's early years in his book Storm Over 4. In it he selects twenty- six programmes ('a very personal.. After Dark, which he describes as follows: Open- ended talk. Lifted by an astute producer..

Austria's Club 2 (de), it began at midnight and went on till it finished. The aim, discussion between people with burning experience of the subject; e. A participant might wait long to utter but in the end his turn came. Viewers could fall asleep in front of it, wake up and find the discussion just hotting up.[9]The programme allowed Isaacs to realise one of his longest- held ambitions. When I first started in television at Granada.. Sidney Bernstein said to me that the worst words ever uttered on TV were, I'm sorry, that's all we have time for. Especially since they were always uttered just as someone was about to say something really interesting." After Dark would only end when its guests had nothing more to say.[1.

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From late April in 1. Channel 4 screened a Nighttime strand, a mixture of films and discussion programmes that ran until 3am on Thursdays, Fridays and Saturdays.[5] Channel 4 launched After Dark as an open ended format broadcast on Friday nights (later Saturday nights) as an original piece of programming that would be inexpensive to produce. There was no 'chair', simply a 'host', and the discussion took place around a coffee table in a darkened studio. Due to its late- night scheduling the series was dubbed After Closing Time by one critic. The series was made by production company Open Media. The series editor, Sebastian Cody, talking about the programme in an interview in 2.

Reality TV is artificial. After Dark is real in the sense that what you see is what you get, which isn't the case with something that's been edited to give the illusion of being real. Other shows wind people up with booze beforehand, then when they're actually on the programme they give them glasses of water.

We give our guests nothing until they arrive on set and then they can drink orange juice, or have a bottle of wine. And we let them go to the loo."[1. Viewer response[edit]In 1.

The Guardian wrote: "After Dark, the closest Britain gets to an unstructured talk show, is already finding that the more serious the chat, the smaller the audience.. Channel 4's market research executive Sue Clench.. After Dark in its first slot."[1. The audience survey conducted later by Channel 4 reported that After Dark was watched by 1. One viewer is quoted in the academic study Talk on Television as follows: After Dark is far better because it allows people to go over all sorts of stages in a discussion and they are not shut off.

Well I suppose they are on for three or four hours, but I think that is a really good idea, that you can really work everything out for yourself.[1. Critical response[edit]After Dark earned a remarkable spread of critical enthusiasm, from the Socialist Worker ("my favourite chat show") and The Guardian ("one of the most inspired and effective uses of airtime yet devised"), to the Daily Mail ("the most intelligent, thought- provoking and interesting programme ever to have been on television") and The Daily Telegraph ("A shining example of late- night television"), to more media focussed journals such as the BFI's Sight & Sound ("often made The Late Show look like the Daily Mirror") and even the US showbiz bible Variety in its review of the year ("compulsive for late- night viewers").[1. Guest response[edit]Author James Rusbridger wrote in The Listener magazine: "When I appeared on a Channel 4 After Dark programme recently my postman, milkman and more than two dozen strangers stopped me in the street and said how much they'd enjoyed it and quoted verbatim extracts from the discussion."[1. Journalist Peter Hillmore described appearing on After Dark as follows: In the age of the glib, packaged sound- bite, a discussion programme that is long and open- ended, lasting as long as the talk is remotely interesting, occasionally longer, seems a necessity. For all its faults, as when Oliver Reed appeared tired and emotional as a newt, the programme fulfilled its purpose and filled a gap.

I appeared on it once. It was a strange feeling to realise that if you had failed to make your point properly, you had more time a short while later.

So Channel 4's decision to axe it seems incomprehensible and wrong.. In his book on the channel, its founder Jeremy Isaacs gave a long list of programmes that he felt summed up its ethos. With the ending of After Dark, not a single programme from the list remains.

That is not a coincidence.[1. Notable guests and programmes[edit]Series One[edit]Peter Hain, Clive Ponting, Peter Utley, Colin Wallace and "Secrets"[edit]The first ever After Dark programme (1 May 1. The Listener: After Dark made a historic breakthrough by rediscovering the structure of adult conversation: the ingredients are intelligence, candour and courage, and the absence of impeding structures such as television time barriers. Seven people talked live, from midnight to the early hours of the morning, on a subject dear to our hearts – and at the moment costly to our nerves – secrets. Clive Ponting, ex MOD; Anne- Marie Sandler, French psychiatrist; Peter Hain, former anti- apartheid campaigner; Colin Wallace, former army "information officer" engaged in psychological warfare in Northern Ireland in the Seventies; Mrs Margaret Moore, widow of one of the computer scientists who have died recently in mysterious circumstances; Isaac Evans, a farmer who campaigns against bureaucratic secrecy, and T. E. Utley, Times political columnist, who still believes Section 2 of the Official Secrets Act "has a point" – all these discussed frankly their experiences and their perception of the consequences of excessive secrecy.[1.

Nancy Banks- Smith wrote in The Guardian: A bit of fun, a bit of excitement, and, quite the best idea for a television programme since men sat around the camp fire talking while, in the darkness, watching eyes glowed red.. It will be many a midnight before Channel 4 comes up with the subject so on the ball as Secrets and such an enthralling group of guests.