GG Allin - Wikipedia. Kevin Michael "GG" Allin (born Jesus Christ Allin; August 2.

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June 2. 8, 1. 99. American singer, songwriter and record producer, who performed and recorded with many groups during his career. GG Allin was best known for his outlandish live performances, which often featured transgressive acts, including coprophagia, self- mutilation, and attacking audience members, for which he was arrested and imprisoned on multiple occasions.[5]All. Music and G4. TV's That's Tough have called him "the most spectacular degenerate in rock & roll history"[2] and the "toughest rock star in the world", respectively. Known more for his notorious stage antics than for his music, he recorded prolifically, not only in the punk rock genre, but also in spoken word, country, and more traditional- style rock. His lyrics, which often expressed themes of misogyny, pedophilia, blasphemy and racism, polarized listeners and created varied opinions of him within the highly politicized punk community.

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When questioned about his music and shows, Allin often replied that he was trying to make rock music "dangerous" again. Allin's music was often poorly recorded and produced, given limited distribution, and met with mostly negative reviews from critics,[6][7][8] although he maintained a cult following throughout and after his career.

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Allin promised for several years that he would commit suicide on stage during one of his concerts, but died off- stage of an accidental heroin overdose.[2]Early life[edit]Allin was born Jesus Christ Allin at Weeks Memorial Hospital in Lancaster, New Hampshire, the younger of two sons born to Merle Colby Allin, Sr. Arleta Gunther.[6] He was given this name because his father told his wife that Jesus Christ had visited him, and told him that his newborn son would be a great man in the vein of the Messiah.[6][9]His older brother, Merle, was unable to pronounce "Jesus" properly and called him "Jeje",[1. GG". The family lived in a log cabin with no running water or electricity in Groveton, New Hampshire. Merle Sr. was an abusive recluse and religious fanatic, who threatened his family with death, digging graves in their cellar.[1. In an essay titled "The First Ten Years", Allin wrote that his father wanted to kill his family in a murder- suicide. He "despised pleasure" and allowed his family "very little contact with others".

They lived a "primitive existence" and "were more like prisoners than a family". Allin also stated that his mother attempted to escape before she filed for divorce, but Merle Sr.

Allin.[1. 2][1. 3] Allin said that he was glad to experience such an upbringing, and that it "made [him] a warrior soul at an early age."[1. In 1. 96. 1, Arleta filed for divorce from Merle Sr., as his mental instability was worsening. Allin and his brother were from that time raised by their mother and stepfather, and settled in East St. Johnsbury, Vermont in 1. Arleta changed her younger son's legal name to Kevin Michael Allin on March 2, 1.

Arleta had allowed his birth name to stand until this point and finally changed it to give her son a chance of a mockery- free childhood. Allin, a poor student, was placed in special education classes and required to repeat the third grade. According to his older brother, he experienced bullying by fellow students for nonconformity.[1. In his second year of high school, he began attending school cross- dressed, which he said was inspired by the New York Dolls.[1. When asked about his childhood, Allin said that it was "very chaotic.

Full of chances and dangers. We sold drugs, stole, broke into houses, cars. Did whatever we wanted to for the most part – including all the bands we played in. People even hated us back then."[1.

Recording career[edit]Early years[edit]Allin's earliest musical influences were 1. British Invasion bands including the Beatles, the Rolling Stones, and The Dave Clark Five.[1. In the early '7. 0s, Alice Cooper became a large influence on Allin.[1.

Allin's earliest recorded musical endeavors were as a drummer. In his mid- teens, he and his older brother Merle, who plays bass guitar formed their first band, Little Sister's Date, which lasted a little over a year.[1. The group covered songs by Aerosmith, KISS, and other popular hard rock bands of the time period.[1. The Stooges were also an influence on Allin. Allin graduated from Concord High School in Concord, Vermont in 1. Malpractice with his older brother, local musician Jeff Penny, and Brian Demurs (a high school friend).

Allin played the drums for Malpractice until the band separated in 1. He then became the drummer for the band Stripsearch, who released one 7" single, containing the songs "Galileo" and "Jesus Over New York". From September 1. April 1. 98. 4, Allin performed as front man for The Jabbers, in which he played drums and performed vocals. Allin's 1. 98. 0 debut album was Always Was, Is and Always Shall Be for Orange Records. It would be reissued for the first time on CD in 1.

Halycon imprint. At one point, industry veteran and The Dead Boys producer Genya Ravan served as his manager. Tension within The Jabbers mounted as Allin grew uncontrollable, uncompromising and vicious. The Jabbers disbanded. Allin fronted many acts during the early to mid- 1. This includes albums from The Cedar Street Sluts, The Scumfucs in 1. The Texas Nazis in 1. Allin remained in the undergroundhardcore scene yet was not part of the east coast hardcore scene.

His performances in Manchester, New Hampshire with the Cedar Street Sluts earned him the nickname of "the madman of Manchester."Allin gained wider attention with the ROIR cassette- only release of Hated in the Nation (1. Watch Bloodsport Online Free 2016 there. Allin's out- of- print catalog with The Jabbers, The Scumfucs and Cedar Street Sluts. The tape also featured several in- studio and in- concert recordings with an all- star band assembled by producer Maximum Rockn. Roll and early Allin patron Mykel Board.

This band featured J Mascis of Dinosaur Jr. Bongwater record producer/musician Mark Kramer on bass.

Mid era and more extreme live performances[edit]By the mid- to late- 1. Allin was addicted to heroin and alcohol and generally abused any intoxicants provided to him.

Allin first defecated onstage in 1. Peoria, Illinois. According to fellow performer Bloody Mess, "I was with him when he bought the Ex- Lax. Unfortunately, he ate it hours before the show, so he constantly had to hold it in or he would've shit before he got onstage..

After he shit onstage, complete chaos broke out in the hall.. All of the old men in charge of the hall went fucking NUTS! Hundreds of confused punk kids were flipping out, running out the door, because the smell was INCREDIBLE."[1.

Defecation became a regular part of his stage act. Allin described himself as "the last true rock and roller": by this, he meant that rock and roll music itself had started as an embodiment of danger, anti- authoritarianism and rebelliousness but had become largely taken over by corporations and business concerns. Allin's music and performances were thus meant to return rock and roll to what he saw as its roots, reclaiming it from the corporate system. Allin idolized country music legend Hank Williams and saw himself as a kindred spirit.

Both were relative loners and outsiders, both were habitual users of intoxicants, both lived with few, if any, possessions and both traveled the country relentlessly. Allin's acoustic output, documented on the EP The Troubled Troubador, was heavily influenced by Williams. He recorded his own rewrites of Hank Williams, Jr.'s "Family Tradition" and David Allan Coe's "Longhaired Redneck", calling his own versions "Scumfuc Tradition" and "Outlaw Scumfuc" respectively.

Later, Allin also released another country album Carnival of Excess, his most refined record. During this period, Allin collaborated with Bulge (also known as Psycho under a different name, on the album Freaks, Faggots, Drunks and Junkies), The Aids Brigade (the 7" EP Expose Yourself To Kids) and The Holymen (You Give Love a Bad Name).